The New Psychedelics - a Revival That Never Was? - Pt.2

Few months ago, I did a post about 1980's Psychedelic revival. All I had was few photos, and a brief mention of a Newburgh Street boutique called the Regal. I was really interested in the subject, so I ended my post with a question whether anybody knew anything more about that revival. Needless to say, I was very excited when last night I found this film on YouTube uploaded by Velvet Cave. It is an hour-long documentary titled 'Groovy Movie' about 1980's Psychedelic revival in London. The film answers all the questions one might have about that scene.

You can see footage from their club nights, videos for revival bands such as Mood Six or Marble Staircase, interviews with people who were there, and most importantly, you can watch an interview with the owners of The Regal and look at their amazing clothes. So click on the link and enjoy the obscure second coming of 1960's Psychedelia.

 

Stills from The Groovy Movie

Edited to note: Read my interview with Anne-Marie Newland, who in 1980's owned Sweet Charity boutique and was a drummer in psych revival band The High Tide.

The New Psychedelics - a Revival That Never Was?

It is generally known that 1979 was a year of Mod revival. However, it turns out that apparently it was not the only subculture from the sixties that was revived that year. Ted Polhemus, in his highly influential book Street Style (chapter titled Swinging London and Psychedelics),claims that Psychedelic/Peacock style coincided with Mod revival in late seventies and early eighties. Sadly, the only proof of the existence of that revival in Polhemus's book is this photo:

New Psychedelics in 1994 edition of  Ted Polhemus' Street Style

The caption under the photo reads: "New Psychedelics outside the Regal clothing shop, which was located on Newburgh Street one block over from Carnaby Street and served as a focus for this revival".


Further traces of the revival can be found in Amy De La Haye's book Surfers, Soulies, Skinheads and Skaters: A Subcultural style from Forties to the Nineties. This book immortalized first ever fashion exhibition in V&A entirely devoted to the subcultural style - Street Style from 1994. In the book, we find a section devoted to 'Psychedelic Revival UK 1979'.

The text reads: "Worn by Clive Sutherland, who was a regular client of Andrew Yiannakou's shop in Kensington Market. He created an authentic Psychedelic Revival look by combining Yiannakou's pieces with period pieces, such as the 1960s Turnbull & Asser crepe de chine shirt illustrated . This suit was made to order.

Yiannakou started to make psychedelic clothes from the late 1960s and was at the forefront of the late 70s/early 80s revival. He used original 60s patterns and fabrics to create a purist revival style. At the end of 1979 he opened the Regal in Kensington Market." 

Here's the picture of the suit, which is still in V&A collection:

Unfortunately, those brief mentions in Polhemus' and De La Haye's books are the only traces of 1980's psychedelic revival. I would love to find out more about the Regal. If anybody has any photographs or original clothes from that boutique, please do share it!

EDITED TO NOTE: I HAVE BEEN CONTACTED BY QUITE A FEW PEOPLE WHO 'WERE THERE' DURING 1980-1981 PSYCH REVIVAL AND SHARED SOME GREAT MATERIAL WITH ME. READ ALL ABOUT IT HERE.

Vince - Small Boutique That Initiated Big Changes

In my last post, I looked at the career of John Stephen - a true revolutionary of male fashion in the 1960's. Now, I would like to devote a little space to Bill Green and his boutique called Vince (1954 - 1969). Bill Green pre-dated John Stephen (who was also his one-time employee) few years, and the height of his career was in the late 1950's - however, his designs were an inspiration for many designers who would revolutionize male fashion in 1960's.

Bill Green started his career in the late 1940's from being a photographer specializing in taking photos of semi-naked wrestlers and musclemen. His models were wearing provocative bikini-style posing briefs, designed by Green himself, who, in the absence of  readily made garments decided to start his own line of briefs. He began to sell them through the mail order catalogue in 1950. His homoerotic designs appealed initially almost exclusively to gay customers. After holiday in France and Italy in 1952, Green, impressed by young Frenchmen who were sporting 'existentialist' look - black sweaters worn with lack jeans - started his own line of such clothes. He was the first one to introduce this look to British men. His mail order business flourished, and  in 1954 he opened Vince's Men Shop in Newburgh Street. This choice of location was not accidental -in 1950's, this part of Soho was an epicentre of gay underworld. Marshall Street Public Baths - a popular cruising area for gay men was just around the corner.However, the clientele of Vince quickly expanded beyond gay community. His unconventional designs appealed to young West End actors and Chelsea bohemians. Green was using fabrics which were unusual at the time - velvet, silk, bed-ticking for hipster trousers and pre-faded denims. is window displays were also quite shocking at the time - the mannequins dressed in briefs, or pink hipster trousers.

Typical magazine ad for Vince from 1962.

One of the shoppers at Vince's recalls his visit in the mid-1950's: "The only person (I) saw was tall, well-dressed young Negro who bought a pair of coloured denim hipster trousers. The Negro was obviously homosexual and I realized that homosexuals had been buying this stuff for years. they were the only people with the nerve to wear it" (Jeremy Reed, The King Of Carnaby Street, p 8). But the fact that, by late 1950's, it was not just homosexuals who had the nerve to wear it, proves that there was a shift in taste among young Londoners. The clientele of Vince included such names as actor Peter Sellers, jazz musician George Melly (who joked: "I went into Vince's to buy a new tie and they measured my inside leg" (Reed, p 9).) Pablo Picasso (who bought a pair of suede trousers), The King of Denmark, and young model-soon-to-turn-actor Sean Connery. Bill Green's designs did not influence street style or youth fashion directly as teenagers generally could not afford to shop there. However, the impact of Vince is difficult to underestimate. For the first time it was acceptable for heterosexual men to wear clothes previously only worn by homosexuals. It was also the first time when leisure were became chic - jeans and sweater could  be worn for an evening out from now on. This was a step towards informality, ambivalence and flamboyance - and it led grounds for a revolution in male fashion that happened in 1960's.  The young man largely responsible for this revolution worked briefly as a sales assistant at Vince's. Bill Green had sensed is ambition: "Not much good" - he said of his work as sales assistant - "Always dreaming of the bigger things" (Nik Cohn, Today There Are No Gentlemen, p 64). The young man himself also seemed dissatisfied: "I was just standing there taking money. Suddenly I thought, if this guy (Green) can do it, so can I..." (Reed, p 19). The young man was, of course, John Stephen. He had learnt a lot at Vince's and his own early designs and shop fronts owed a lot to Bill Green. However, the rise of John Stephen as a designer marked the downfall of Bill Green's. Stephen was much more in touch with the youth culture. Bill Green could not keep up with rapid changes in fashion which were happening from early 1960's onwards. By mid-1960's, his shop became un -chic. Financial problems forced him to move Vince's Men Shop from Newburgh Street to cheaper location in North London. In 1969, he closed his shop for good.  Bill Green might have been one of the initiators of the revolution in fashion, but he quickly fallen behind the times. In 1971, Green (by then a manager of a restaurant in Soho) said to Nik Cohn: "If I was to go into male fashion again today, I wouldn't even know where to start" (Cohn, p 51).

Outfits from Vince's Men Shop from mid-1960's in Victoria and Albert Museum.