Outfit Post / Temples Gig Review / Playlist

I do not often do any of these types of posts, but since opportunity presented itself, I thought, why not? My girlfriend and I took some photos before (and during) Temples gig in Brighton last night.She just got this great Liberty print coat from the late 1960's (We're not sure whether actual coat is from the 60's - there is no label on it - but fabric definitely is).

I recently got this great Beatle - style jacket with nehru collar..

I wish I could say it's an original 60's garment, but actually it was made by an Italian high street label called Ciro Citterio which traded in Britain in early 2000's before going bust in 2005. Anyway, it goes great with my Mod/Psych look...

As for Temples, well, what can I say? It was a great gig. I don't usually talk about new bands here - I leave that to music bloggers - but Temples' modern take on 60's Psychedelia is something that readers of this blog should find interesting. As for a band which only debuted last summer and has one single out, Temples received a lot of attention so far, but , if last night's gig is anything to go by, the hype is much deserved. Their Shelter Song sounds just as good live as it does on the record. However, the song which really caught my attention was 'Keep Her In The Dark' (or 'Keeper In The Dark' - I am not quite certain here) - a stompy psych number in the style of  John's Children- era Marc Bolan (and a slight reminiscent of 'Inkpot' by Shocking Blue). I certainly can't wait for their debut album, which is supposed to come out sometime this year.

  Temples, Brighton, 26.03.2013

I would like to share some other songs I am currently into...



A great Psych song from 1967 - Let's Live For Today by Geordie band The Living Daylights  - a much better, more aggressive version (although much less popular) than one by The Grass Roots. A lost anthem of Summer of Love...

  

     
I've heard this song at the last Mousetrap few weeks ago, and I still can't get that riff out of my head...'Time To Say Goodnight' by The Martells from 1967.

Along with Temples, Dutch singer Jacco Gardner is on the forefront of the current psychedelic revival. His album Cabinet of Curiosities was released earlier this year to a critical acclaim, and he is doing an extensive tour in Britain this Spring. Although I like his mellotron/harpsichord-laden psychedelic ballads, I prefer his earlier project - The Skywalkers. Their song  Creature Of The Night is one of my current favorites.

This cover of Los Chijuas song - 'Changing The Colours Of Life' - also sounds great...

 

Anyway, I'll end with a nice photo of my girlfriend in her 70's vintage outfit inspired by Mr. Freedom

Edited to note: That Temples song is actually called 'Keep In The Dark'. Here's a video from that very gig...

New Psychedelics - London 60's Revival Scene of 1980-1981 - Interview with Anne-Marie Newland

Anne - Marie Newland circa 1980

About year and a half ago, I did a post about early 1980's psychedelic revival scene in London which followed Mod revival. All I had was two great photos from Ted Polhemus' book and very little information about a shop called a Regal and designer Andrew Yiannakou. Since then, the emergence of documentary The Groovy Movie on YouTube helped  to throw some light on this obscure and almost forgotten movement. I also discovered A Splash Of Colour - a compilation from 1981 containing some of the most memorable  songs of the bands from that scene. 

Recently, I have been contacted by Anne-Marie Newland, who was one of the central figures of  1980's psychedelic revival scene. At the time, she ran a boutique called Sweet Charity, which was a part of The Regal.She was also a drummer in a psych band called The High Tide (which appeared on A Splash Of Colour) and a partner of a designer and owner of The Regal, Andrew Yiannakou. Ms. Newland kindly agreed to answer some questions about High Tide, Sweet Charity, The Regal, Andrew Yiannakou and her memories of the 1980's psychedelic revival scene in London.

DIA: How did the psych revival come about? Would you say it was a logical next step after 1978 - 1979 Mod revival?

 AMN: It came about from the Regal, a men’s clothes shop founded by Andy Yiannakou. His clothes were fantastic, he was a real tailor and of course the Psychedelic clothes were copies of the Dandy’s back in the 18th century.

The Regal shirt by Andrew Yiannakou

(Photos courtesy of Ula Wawrzynczyk, who found this amazing garment in vintage shop in a remote location of Tomaszow Mazowiecki, Poland)

Outfit from the Regal (photo from Surfers, Soulies, Skinheads and Skaters by Claudia Shnurrmann and Cathie Dingwall)

DIA :How did you get into it? I am assuming you were too young to actually remember original movement...What were your sources of knowledge about that era in late 70's/early 80's?

AMN:  Too young? That’s hilarious! No, I am and was not too young -  in fact, I was doing it the 2nd time around. I was born in 1955 and Andy in 1948. The Regal opened in Kensington Market in 1980/81. His name cards were made to look like the old cinema tickets. Very cool and retro. Andy started getting a young mod/hippy following. It was great to see the young guys wearing out there clothes and looking smart in the post punk era. I had been a ballet dancer then a punk drummer and met Andy in Camden lock. I had been selling vintage clothes. We became and item and seemed naturel to start designing girls clothes for the girlfriends. My resources were Mary Quant of course, Barbarella and Emma Peel…. Groovy!

The Groovy Movie  - documentary about 1980 -1981 Psychedelic revival scene (Part 1 of 4)

  DIA: I've heard from quite a few people who lived through 1980's, that apparently it was quite easy then to get original 60's clothes from charity shops. Would you say it is true?

AMN: Yes its true you could pick up original clothes in the rummage shops as we call them up here in Leicester! But I also used to get new unused clothes from old warehouses. I had an almost diving talent when it came to getting stock that had sat there for years. I only used original psychedelic cloth too. I would find it at the bottom of rolls of fabric buried in layers from the 60’s to the 80’s. Loved that aspect of designing.

DIA: Tell us about your boutique, Sweet Charity. How did you get started? Were you a part of first Regal in Kensington Market? Did you design the clothes yourself? If yes, which 1960's designer was your main inspiration? Do you remember the prices? Who were your customers? How did you advertise it? How long did The Regal/Sweet Charity last? 

AMN: My shop was a wow to look at. I used scaffolding for the rails. I had huge pots of paint in the shop to allow people to create graffiti befitting the era. I have some great pictures taken by the famous street fashion photographer Ted Polhemus. I designed the clothes myself and had never had any formal training but had a good eye for posture so it was easy to judge how the front of a garment was not the same as the back! As I Said before I only sourced original fabrics and some of the stuff I found was truly amazing. Needle cord with paisley patterns in yellow and turquoise was one of my best finds and a roll of textured cotton with super psychedelic designs put me on the map! Mary Quant was a good inspiration but I also took a lot from the men’s designs which were originally Regency…hence Andy calling his the Regency…2 meanings in one. I was not part of the first Regal as I met Andy after. But as a natural progression I was well established in the Market anyway when I had my vintage shop there. I was next to Jesse Birdsalls and Gaz’s Rockin’Blues, a great vinyl record shop. I do remember that my hipster drainpipe jeans cost £17-50 and in the Thatcher years that was expensive. My customers were aged between 12 and 35! I had such customers as Annie Lennox, The Belle Stars, Kim Wilde, Paul Young, and Kid Creole and the Coconuts! I made clothes for bands on photo shoots in a matter of hours that gave us a great reputation. U2 visited the shop when Bono still played the drums and sang, Paul Weller popped in and to be honest the shop was buzzing most of the day…FUN! I advertised in the Face, ID and put out flyers at the Groovy Cellar. Mostly it was word of mouth. Sweet Charity lasted 3 years until I sold up and passed it on when I went off to India…it was there for another few years. Not sure Bout the Regal…6 years? 

Photo taken outside The Regal, which appeared in Ted Polhemus' Street Style. From left: Marc - violinist from band Le Mat,  Gary, singer from Le Mat, who also worked at The Regal, and unidentified girl. 

Page about Andrew Yiannakou and Psychedelic revival scene in Surfers, Soulies, Skinheads and Skaters

DIA: Tell us about your band , The High Tide. Were you sharing your time between your band and your boutique? Who were your fellow members? What were your main influences? Was the main emphasis on recreating the original 1960's sound, or did you try to give your music a little bit of contemporary, 80's feel? Did you ever tour?

The High Tide circa 1980

AMN: Our Band was The High Tide. I was the Drummer and my now ex-husband was the singer. I played in the band at night, worked in the shop in the day and also taught jazz dance…I never slept and had more energy than most people I know…that’s still true today! The members were Chris as singer, John on bass, Martin guitar and Andy on keyboards. I joined the band early on while they were still forming. We made a couple of singles and had the single from the compilation album Splash of Colour with Mood Six, Marble staircase and Doctor and the Medics. We were a psychedelic band; others were a bit hip 60's ,a bit fluffy we thought! We were in the 80’s so we would not consider doing anything 80’s if you see what I mean! We toured around London but apparently after Chris and I left for India they got another singer, Gary, and must have had a drummer and went to tour Sweden. 

'Dancing In My Mind' By The High Tide, which appeared on A Splash Of Colour compilation.

DIA: Did the bands from psychedelic revival scene of 1980-81 receive any press attention, or was it strictly an underground thing?

         AMN: The bands did get a lot of press attention…in fact I have some news paper cuttings from Melody Maker and NME somewhere. They thought us odd but interesting and there was certainly a market for it as a backlash to punk and new romantics. We did keep our underground integrity too though, I feel. 

The Groovy Movie (part 2 of 4) in which sales assistant Gary talks about The Regal

DIA: Tell us a bit more about the scene itself - What were your main hangouts? Who were the Dj's and the regulars? What sort of music did the dj's play?

       AMN: The main hang out was either my shop or Andys! I used to have the kettle on all the time and the of course LSD being part of the scene was available in around the hangouts! Our club was the Groovy Cellar then there was the Attic too…again I do have some of the tickets to these places. Of course the movie Groovy Movie also shows the scene. Our main DJ was The Doctor (Of Doctor and The Medics fame) of course! 

DIA: How did "A Splash of Colour" compilation come about? Did it mark the end of the scene? 

AMN: I don’t know whether it marked the end of the scene because I had gone onto my next stage of life but it did not do as well as it should have done…the music scene then was really bubbling with the Eurhythmics, U2, etc.…lots of bands were making it big…we were out of time. 

DIA: Tell us briefly what do you do today? Do you keep in touch with Andrew Yiannakou or your former band mates?

       

AMN: Andy has 3 daughters who have children but he is very much a grumpy old man according to his daughters! I married the singer of High Tide eventually as I married my Yoga Teacher first and have 3 children with him. Chris and I have a daughter Talitha who is beginning to think we are pretty cool now! I have a school that trains people to be yoga teachers. It’s an international school and I travel around the world training. I manage to work around my 4 children. Not one of them has gone into the music business but all are creative and have good business acumen. I was a businesswoman in the end. I still love my time in the industry. I was part of the original Punk scene too! I am writing a book at the moment about my life which I must say has continued to be …A SPLASH OF COLOUR!!

(A Dandy In Aspic, 2012) 

'Electric Blue' - Brilliant psych epic by The High Tide

Mousetrap

Here are some photos my girlfriend and I took on Saturday before and during Mousetrap - our favorite London psych/garage clubnight. We are wearing our psychedelic gear - my kaftan is from Pretty Green, although it is made using classic Liberty print. 

At Mousetrap, I always discover so many amazing songs I've never heard of, I feel like I should go there with a notebook.
Song which really caught my attention on Saturday is this dark and heavy psych gem - "Midnight Graveyard" by Swiss band called Mother Sunday from 1971..

The New Psychedelics Pt. 4 - Freakbeat Fanzine

Today, fanzines are something of a 'dying breed'. In pre-internet days however, every hip scene had one (at least one). Some time ago, I found in second-hand music shop a few issues of the fanzine called Freakbeat. It was a fanzine of London 60's Garage/Psych revival scene from late 80's/early 90's. The issues I got - number 4,5, 6,7 and 8 are from years 1988-1993. As it often happens with fanzines, Freakbeat was not published in any regular intervals of time. The editor-in-chief was a man called Lophophora Williamsii (not a real name, I assume). Most of the articles were written under pseudonyms.  In the layout there was a generous use of Op-Art and psychedelic patterns, which is great, but it can also be annoying , as it makes reading quite difficult.
Although Freakbeat was writing primarly about original 1960's Freakbeat (Mod meets LSD, for those who don't know) bands, the fanzine was devoting a lot of space to contemporary 60's Garage/Psych revival bands such as The Bevis Frond, The Chemistry Set, The Magic Mushroom Band, Plasticland and Oziric Tentacles.

   

 Cover of Issue 4

 Above and below: Feature about The Dukes of Stratosphear (click on the photo to enlarge)

Not many people know, that The Dukes of Stratosphear was actually a semi-secret side project of post-punk/new wave hitmakers XTC. Their 1985 EP, 25 O' Clock was 60's garage revival's finest hour. It is hard to believe that the brilliant title song was not recorded in 1960's, it sounds so authentic!

  

Feature about The Smoke - British pop-psych band famous for their 1967 hit 'My Friend Jack' (click on the photo to enlarge)

 Review of the parts 9 and 10 of Pepples Compilations (click on the photo to enlarge).

Cover of Issue 6

Article about John 'Twink' Adler - one-time member of Tomorrow, The Pretty Things and Pink Fairies.

 Article about The Chemistry Set (click on the photo to enlarge).

 Ad for Pepples Compilations

 Cover of Issue 7

 Issue 7, page 1 (click on the photo to enlarge).

 The new dawn of ???

 Back cover of issue 7.

 Ad for poster-printing company.

 Interview with Krautrock legends Amon Duul II (click on the photo to enlarge).

 Feature about Greek Psych revivalists Purple Overdose (click on the photo to enlarge).

Article about early incarnation of The Flaming Lips - who will become an indie senseation of late 90's/early 2000's (click on the photo to enlarge).

New Untouchables NYE Party

Here are some photos  I took at the New Untouchables NYE party at 229 in London. When I go to NUTS, taking photos is never a big priority, which should explain why my photos are low in number and poor in quality. They should however, give you a general idea of how much effort NUTS regulars put to recreate various 60's fashions. Among hundreds of Mods in sharp suits, I spotted quite a few people dressed in psychedelic/peacock style.

This double breasted jacket is from Pretty Green - Liam Gallagher's boutique. It will set you back a considerable £540. 

The clubnight was traditionally divided between 3 rooms: Beat/Psych room (where we spent most of the evening), Northern Soul room and Skinhead/Ska room. The rooms were not synchronized as far as time was concerned, which gave us a rare opportunity of witnessing two New Year countdowns - first in beat room and then in soul room. Apart from top dj's of London Mod scene, the other attraction of the evening was a tribute band to The Small Faces called The Small Fakers who performed Small Faces' classic 1968 album 'Odgen's Nut Gone Flake' in its entirety, as well as a few hit singles such as 'Whatcha Gonna Do About It' or 'Tin Soldier'.

The Small Fakers

Although it was a great evening, I, personally left the venue feeling slightly 'unfulfilled'. In spite of having quite a good knowledge of sixties psych/garage music, throughout the six or seven hours I spent there, I have only heard about six songs I actually knew. Despite being used to the fact that at NUTS dj's often compete with each other to see who will play the rarest and the most obscure records, I find it slightly irritating, that they treat their dj sets solely as an opportunity of 'displaying' their expensive record collections. They seem to forget that people come to those clubnights to dance, not to admire taste and musical knowledge of the dj's. I quietly hoped that on NYE, the 'obscure stuff only' rule would be loosen up a little, but clearly I was wrong. I did not expect to hear Beatles or Stones, not even The Seeds or Electric Prunes, but surely throwing 'I Cannot Stop You' by Cherry Slush, or 'A Question of Temperature' by Balloon Farm (which I heard on past NUTS nights)  wouldn't destroy dj's credibility.I realize of course, that the dj's (most of whom had been on the 'scene' for decades) might be bored of playing certain songs,but after all, djing is not always about playing songs YOU want to play. Sometimes you have to play a song you hate, or are bored of. I feel strongly about it, because, as a 60's Psych/Garage obsessive, I rarely have opportunity of hearing my favorite songs in the club. And I think the fact that I spent money on the ticket and travelled all the way from Brighton gives me a right to complain.

Despite all this, I am sure I will be coming to the future NUTS clubnights, and I encourage any other 60's obsessive to do the same (after all, my criticisms are based on my personal taste). I certainly look forward to their Easter event on the the 6th of April when they are putting on The Pretty Things, Crazy World of Arthur Brown and recently reformed July. This amazing line-up will be followed by all-night psychedelic freakout inspired by legendary UFO events at Roundhouse in 1967.