Showing posts with label The Pretty Things. Show all posts
Showing posts with label The Pretty Things. Show all posts

Friday, 28 October 2011

Tara Browne ("He blew his mind out in a car") - 1960's Peacock Style icon


Tara in 1966

Perhaps 'an icon' is not a right word here. But Tara Browne had become something of a cult figure - mostly among Beatles fans - since it was his death that inspired the lyrics of "A Day In The Life" (Little known fact: his death also inspired another song: "Death Of The Socialite" by The Pretty Things).
Born in 1945, The Hon. Tara Browne was a son of Dominick Browne, the 4th Baron of Oranmore and Browne and Oonagh Guinness  - an heiress to the Guinness fortune. After completing  his education in public school in Paris, he came to London, and, like other 'hip' aristocrats in Swinging London, he invested money in a tailoring venture - Foster and Tara. He provided financial backing for tailors Pops and Cliff Foster. Foster & Tara initially were making clothes on order for boutiques such as Granny Takes a Trip, before Tara decided to open his own boutique - Dandie Fashions, which would exclusively sell F&T designs.


Tara Browne and his wife Nicky photographed by Michael Cooper for Men In Vogue in November 1966

Tara Browne with Brian Jones on Tara's birthday, 04.03.1966


 On  December the 18th, 1966, Tara was driving his Lotus Elan through South Kensington with his mistress, model Suki Poitier - the was on their  way to meet decorators Binder, Vaughan & Edwards to discuss designs for the shopfront of Dandie Fashions. While passing the junction of Redcliffe Squre and Redcliffe Gardens, he "didn't notice that the light had changed", and crashed the car with a parked lorry. He died in hospital few hours after (Suki Poitier survived, and soon started dating Tara's friend - Brian Jones).He was 22. The following day, Tara's friend John Lennon picked up a copy of Daily Mail which contained the article about the accident. The rest is a well-known story...


Suki Poitier (centre) and Tara Browne (right), 1966

Apparently, Irish writer Paul Howard is currently writing a biography of Browne. He interviewed several close friends of Tara's. One of them, Hugo Williams shared some of his memories of Tara on The Spectator website: At 15, in 1960, Tara was barely literate, having walked out of dozens of schools. He smoked and drank but he hadn’t got on to joined-up handwriting yet. He was living at home with his mother Oonagh Guinness and her third husband, a louche Cuban ‘shoe-designer’ presently named Miguel Ferreras, who was gaily going through her fortune. Tara was two years younger than me but years ahead in sophistication and fun, dealing jokes, insults and ridiculous boasts from an inexhaustible deck like a child delightedly playing snap. In his green suits, mauve shirts with amethyst cuff-links, his waves of blonde hair, brocade ties and buckled shoes, smoking menthol cigarettes (always Salem) and drinking Bloody Marys, he was Little Lord Fauntleroy, Beau Brummell, Peter Pan, Terence Stamp in Billy Budd, David Hemmings in Blow-Up. His drawly Irish blarney was the perfect antidote to our public school reserve and what would come to be called ‘postwar austerity’.

All the white-gloved pre-debs doing time at Paris finishing schools found their way to Oonagh’s apartment, where they encountered their first taste of Sixties hedonism, without Daddy being around to say no to drinks and cigarettes and staying up past their bedtime. There was the chauffeur-driven Lincoln Continental to conduct us to the clubs and swimming-pools. There was fresh milk in the fridge picked up daily by the Irish butler from the American embassy canteen, the only place in Paris where you could find it in those days. If there was any embarrassment about money Tara would pretend to find a ‘dix milles’ note in the street.



Tara could hardly have failed to be a success in Swinging London. While I was wandering around the globe in ’63 and ‘64, he embarked on the second and last phase of his meteoric progress. He got married, met the Stones and the Beatles, opened a shop in the King’s Road and bought the fatal turquoise Lotus Elan in which he entered the Irish Grand Prix. He let me drive it once in some busy London street: ‘Come on, Hugo, put your foot down.’ I had just got my first job and our ways were dividing. His money and youth made him a natural prey to certain charismatic Chelsea types who turned him into what he amiably termed a ‘hustlee’. He reputedly gave Paul McCartney his first acid trip. The pair went to Liverpool together, got stoned and cruised the city on mopeds until Paul went over the handlebars and broke a tooth and they had to call on Paul’s Aunt Bett for assistance. There is still a body of people — and a book called The Walrus is Paul — who believe that Paul is dead and is now actually Tara Browne with plastic surgery.



Everyone has got some golden boy or girl in their life whose death or sudden departure distils the period into the long party it should have been but probably never was. When my first girlfriend was trying to think of something really nice to tell me she came up with ‘Your eyes are nearly as nice as Tara’s’. I remember being tremendously pleased about this and could hardly wait to tell him. I discussed titles for the book with Paul Howard and there seemed to be no choice: A Lucky Man Who Made the Grade" 

(http://www.spectator.co.uk/books/7156433/part_4/the-short-life-of-tara-browne.thtml).









        

Wednesday, 26 October 2011

What's Good For The Goose (1969)



I have been meaning to post something about this film for a long time. 'What's Good For The Goose' is a slightly forgotten British comedy from 1969. Just like 'Here We Go Round The Mulberry Bush' or 'Smashing Time', it is another example of the film which tries to catch the spirit of the sixties, and satirize it at the same time.
The film features popular comedian Norman Wisdom, at the height of his career and  Sally Geeson (younger sister of Judy Geeson) at the beginning of hers.




Wisdom plays Mr. Bartlett - a London bank executive, who gets sent to represent his bank at the conference in Southport. The monotony of Mr. Bartlett's daily life is brilliantly depicted in a speeded-up footage during opening credits - we can see his daily travels from his house at the suburbs to the City, small talks with clients and colleagues, lunch eaten at the desk, being stuck in the traffic during the rush - hour, more routine small talks with his wife and two children during dinner, etc.    
 En route to Southport, he picks up two hitch-hiking hippie girls - Nikki (Sally Geeson) and Meg (Sarah Atkinson). Not that he has much choice - they pretty much invite themselves to his car, while he stops at the petrol station and they make themselves comfortable despite his initial protests. But after a while , he finds that they make rather charming travel companions. He is especially in awe of free-spirited Nikki. He drops the girls off in Southport and checks into the hotel, where the conference is held. During the conference, Mr. Bartlett has trouble concentrating as he can't get Nikki out of his mind. In the evening, when all of his fellow bankers hit either a bar or a local brothel, Mr. Bartlett wonders around town hoping to bump into Nikki. He finally finds her in a psychedelic club called The Screaming Apple. He buys drinks for all her friends (which makes him instantly popular) they dance, and after the club shuts, Nikki comes back with Mr. Bartlett to his hotel room. They start a brief fling.



Over the next few days, embraces the lifestyle of his new, young friends. He exchanges his three-piece suit and bowler hat into psychedelic/peacock "gear" from the new, "fab" boutiques - paisley shirts, kaftans and satin trousers in every possible colour. His new found love makes him more happy, energetic and self-confident than ever before. Unfortunately he will have to eventually realize that Free Love has also its dark side.



The film offers typical gags that can be found in comedies about generation gap and midlife crisis, but unfortunately, not much more. It is enjoyable, although the bizarre ending leaves the viewer wondering what was the point of the story. Readers of this blog , i.e. fans of sixties music/fashion should certainly like it. Lovely Sally Geeson is certainly a good reason to watch this film. Another would be the scenes set in the psychedelic club, where you can see The Pretty Things (performing in the film as Electric Banana) - a great mod-turned-psychedelic band playing songs from their 1969 album Philippe De Barge.



   





I wonder if Southport had swinging places like this in real life!

I'd recommend "What's Good For the Goose" to anybody who liked "Here We Go Round The Mulberry Bush", "Smashing Time" or "There's a Girl In My Soup". It has been released on Dvd few years ago, so it should be widely available.